How to take risks; I'm mixing it up.
Every single business book I have read has talked about risk-taking. Encouraging future entrepreneurs to take the leap and to commit yourself to the glory that lies ahead!
And every art book kind of does the same thing…
As an artist we carefully learn about colour and composition, we study the masters, we perfect our craft then you read a book and it says chuck all that knowledge out the window and take risk. It’s mind boggling.
Anthony Robbins suggests “If you want to take the island; you’ve got to burn the boats”
The thing is, contrary to popular belief about artists, I’m square. I’m really square.
I pay my taxes on time, I’ve never been able to cope with a red bill or a sizeable overdraft!
I don’t take risks, I’m completely risk averse, always have been.
Even as a child I never managed to climb to the tallest part of the tree – too much of a risk!
I would not burn the boats, I would carefully moor up the boats and maintain them just in case the island thing didn’t work out.
This is not considered an entrepreneurial spirit at all!
It’s not really an artistic one either.
Because most artistic books along with business books also encourage risk-taking. I think I’m a little bit better as an artistic risk taker. I paint on linen with my own secret recipe of clear gesso, I use colour in surprising ways, painting beautiful magentas and blues where only browns and greys exist. But this week I’ve had an opportunity to risk it even more.
That’s what they’re for right?
I think I’ve had a stumbling block on taking risks on my large scale work because my linen canvas are now very expensive (they’re handmade by Bird and Davies) a joy to use, they are beautiful and will last a lifetime but they don’t encourage risk taking. I have to know where I’m going when I paint no them. I love to leave the linen exposed as my background, which means the process is unforgiving too, there isn’t room for mistakes.
So I’ve been trying something a little different. I’ve been painting watercolour on canvas. The canvas is a linen poly mix and is a little cheaper than my linen counterpart, and with it being watercolour, if it all goes wrong I can gesso over it and do an oil painting on top.
Watercolour on canvas isn’t for purists, and in fact it’s much more of a mixed media piece as I include some gouche and ink too. You need to prime the canvas with specialist watercolour primer ( I use Daniel Smith).
Then off you go.
inspired by this sketch in my sketchbook carried out while on safari on the Masai Mara..”
I created this much larger work, in watercolour and ink on canvas.
It was a risk, but I’ve kind of enjoyed the immediacy of it rather than the weeks and weeks my oils take. And I think it captures something different from the oils, though I’m not sure what.
Will I do it again? Of course, because I’m learning all the time and this work, much like my sketchbooks will contribute to bigger and better pieces along the way.
If you’d like to learn more about watercolour on canvas I can heartily recommend Liz Chaderton’s book Painting watercolour on Canvas (full disclosure I know Liz from exhibiting at art fairs, she’s lovely lady and a splendid artist and teacher)
And if you want to see more of my African adventure come and see my solo show at Fisherton Mill Gallery Salisbury, from 22nd April -21 May 2023
Art buyers guide for beginners. My TOP 10 Tips...
Do you fancy treating yourself to some super art, but too afraid to take the plunge? Read on for my simple guide to getting the art you want without feeling bamboozled.
This week’s blog is going to give you the confidence to go and buy some great art.
Remember, try to look online for artists in your area first, then visit their studio. It’s a great way to find out what you like without pressure. If you can’t find an artist you like, in your area, the next plan is to visit a small gallery (nothing too intimidating) or go to an art fair.
Once you’ve gone to the studio/artfair or gallery- follow my top ten rules to help you select art. You should really enjoy the process of buying yourself some gorgeous new art.
02. Plan your workout time.
Now that I had the headphones on my head, I was finally ready to plug and play some music. I plugged the provided cable into the jack on the headphones and then the one on my iPhone Then I called up Pandora. I tend to have a very eclectic music purview and have many stations set up for different moods. The sound quality of these headphones was remarkable. There is an amazing depth of sound and incredible highs and lows that make listening to music a truly breathtaking experience.
In order to test how voices sounded, and the overall art of sound mixing, I pulled up Netflix on my iPad Air and watched a few minutes of a movie to hear all the nuances of the film. None of them were lost. In fact, I ended up hearing sounds that I hadn’t heard before. Echoes…birds chirping…wind blowing through trees…breathing of the characters…it was very impressive what the headphones ended.
1. Do you love it?
2. Where is it going to go?
3. Size matters.
6. Try not to worry about investment.
7. Quality is key
Feel free to ask the artist anything about the quality of the materials they use. Find out about pigments, ask them about colourfastness. Okay so you might not be able to hang a £500 work of art in 500 years time but you certainly don’t want the colour to fade in less than 10 years. I make a point of using the best quality paints, the pigments are strong and the colour won’t fade.
8. Negotiate, but don’t be offended if you get a “no”
9. Look after your art
Well here’s the deal; in my kitchen I have a very large oil painting of Stonehenge and it hangs directly over radiator, it’s opposite the oven, it gets steam and heat and cold and sunshine on it
in the morning. Over a decade of being in the spot and it still looks like new! However if I had a work of art that I’ve spent a lot of money on, or if I had an old work of art that might be a little more fragile I would not dream of putting it over a radiator- as a rule of thumb you have to be careful with extremes of heat. But broadly speaking new art, on sturdy canvas frames, painted in oil or acrylic, can take quite a beating in terms of conditions! I even have an oil painting in my bathroom! However watercolours are significantly more fragile and definitely not be placed in a steamy room. Also be very careful about direct sunlight. Okay in our climate we’re not exactly living in Greece, the sun really isn’t so strong and it doesn’t shine for that much of the year , but sun will fade out paint incredibly rapidly if given the chance. Just think about the fading on your curtains or fabrics in a sunny room – that could happen to your painting so do be careful. If in any doubt at all ask the artist. And if you move the artwork to a new room, still feel free to email your artist years after you’ve bought it they will be happy to help – honestly we really will.
10. Don’t be scared of being a numpty!